American Painter, 1855-1942  Related Paintings of Hirst, Claude Raguet :. | A Gentleman-s Table | Books and Vase | Chrysanthemums in a Canton Vase | Peaches | Waterfowl Hanging from a Nail |
Related Artists:
Henry Merwin Shrady
American Sculptor, 1871-1922,was the sculptor of the Ulysses S. Grant Memorial in Washington, D.C. Shrady was born in New York City. His father, George Shrady, was one of the physicians who attended former president Ulysses S. Grant during the struggle with throat cancer that led to his death on July 23, 1885. Shrady graduated from Columbia University in 1894 and spent one year thereafter at Columbia's law school. He left law school to join with his brother-in-law, Jay Gould (son of millionaire Edwin Gould, the financier), at the Continental Match Company. The company failed and Shrady contracted typhoid fever which diverted him forever from the business world. His recuperation left spare time to pursue a growing interest in art. Shrady's wife, Harrie Moore, submitted some of his paintings to an exhibition of the National Academy of Design without his knowledge and they sold quickly. He then began to teach himself sculpture using zoo animals and his pets as models. Shrady and architect William Casey Pearce won the competition to build the Ulysses S. Grant Memorial in 1902. In the twelve years Shrady spent executing the memorial, he studied biology at the American Museum of Natural History and dissected horses to gain a better understanding of animal anatomy.
Hills, Laura Coombs
American Miniaturist, 1859-1952
Hans holbein the younger
b. 1497, Augsburg, d. 1543, London was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.